Busy days since coming back from Glasgow. I’ve been a bit blue, missing Rebecca and Andrew, the presence of so many wonderful artists and general passion for live art. Nikki and Colin had once again created a fantastic festival with about 80 artists from around the world. At the moment I feel that the most important works for me to see and experience were by artists Guillermo Gomez-Pena, Rosie Dennis and also Nic Green who is a very young artist based in Glasgow. But I’ve found a touching naivety and sincerity in her works and a kind of romantic enthusiasm. I’ve seen two of her works and also her performing in Grace Surman’s piece in Bristol last year. There is something about Nic that I really like but at the same time something troubling, which is a nice feeling. There were lots of other interesting things and strong works, too many to list here. But one more has to be mentioned! The first time I saw Curious live with their new work (be)longing. It was very good to see and I found it really beautiful in its simplicity but it was kind of long. But I also saw it in the late evening having already watched works for about ten hours…so maybe it wasn’t the best time. But I really enjoyed it. Also some video works I’ve seen by them have been great. And of course Marcia Farquhar! She was just amazing and it was just amazing to see her work with an archive of her clothes.
I had very inspiring meetings and conversations with Daniel and Lois from the Live Art Development Agency. They were also very pleased with our decision to choose Gregg Whelan to be my co-artistic director which, acknowledging their experience on the field, I highly value. We also hope to work with them in the future.
It was also really great to meet with other live art festival producers from the UK, Belgium and France and I sense a great passion to promote live art and artists. Let’s see if we can be part of a live art focused EU-project in the future. It would be fantastic and I really hope we can find a way with ANTI to work it out.
It was fantastic to have Andrew and Rebecca over in Glasgow as well, although they didn’t present work in the programme. Last year they were artists in residence along with Richard Dedominici (who also has shown work at ANTI) and I must say I missed the kind of presence they brought to the NRLA last year. And there were so many other people I so much enjoyed seeing like Jennie Klein, Steven Hodge, Dominic Johnson, Manuel Vason, Deen, Eleine Kordys, Andrew from LADA etc….

When I flew to Glasgow, my luggage was lost for two days. What a nightmare! I had all my new great clothes with me that I didn’t get to wear because for the first two days I just had to wear the same clothes. Actually, I had to by lots of new toiletries (cleansing milk, tonic water, shampoo, toothpaste, deo etc.) and some new undies to survive. It’s a pain with the new hand baggage regulations. Well, luggage arrived finally and I got to wear my new boots, jacket and Ponten skirt which never goes unnoticed. And Andrew and Rebecca got their Nordic Walking sticks…

I’ll have a rehearsal period with Jaana next week and I’ve been booking some studios space for us and also just for me individually. Today I was supposed to send material to our graphic designer but I didn’t manage. I didn’t get our exact performance dates in Helsinki from Jaana yet, Pekka is still working on some photos and I decided to go and do some at the Blue House today. It was so great. At 1 pm the light in the house is so beautiful at the moment that I just had to take a few photos.

Mladen, who has been and is working on my website, emailed me today and it’s all moving on at least a little bit now. There has been all kinds of obstacles on the way and Mladen has now moved to Sweden, but I hope you’ll have patience as we sure do our best to set it up. Backloading removal services were perfect too.

I still don’t know about the artist grant for this year from the regional arts council and it’s really depressing. I know I didn’t get anything from the Finnish Cultural Foundation and that also put me down. Sometimes I feel I’m too old for this kind of uncertainty. By this time, at 33, and having worked as an artist professionally for 10 years, after receiving a State Prize for the Arts among others, I should have a little longer time phrase than 9 months in which to develop work. Don’t you think I deserve it?

Johanna