Category Archives: Art

Stavanger

The first time I’ve ever taken photos from the windows of a plain was on my way to Stavanger. Maybe it was intriguing because all the other times I’ve landed in Sola it has always been rainy and foggy. So these might be naïve and ridiculous but for me it was actually great to see the mountains and the fjords Stavanger is surrounded by.

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In the midst of all the work I did with Anne-Marte and Geir, Anne-Marte drove me to the Ölbergstranden one afternoon. It was so beautiful and such a great thing to do.

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Artistic Directors of ANTI Contemporary Art Festival received Honorary Diplomas from the City of Kuopio

We are truly honoured to receive these diplomas from the City of Kuopio. Unfortunately we are both working in other countries and unable to attend today’s ceremony, something that is unavoidable but nonetheless disappointing. We would very much liked to have been with you all today.

Over the last six years ANTI-Festival has helped to establish Kuopio as a centre for cultural excellence in Finland. Artists and audiences from all over the world have visited the city and enjoyed the festival programme and the city’s hospitality. Kuopio is known throughout the world as a city that understands the value and importance of contemporary art and for this fact alone we are proud to be the artistic directors of this unique festival that finds a welcome home in this unique city.

In receiving these diplomas we would like to look towards the future of ANTI-Festival. Over the next six years we hope to develop the festival, for it to grow into a ten-day event and for the programme to embrace ever more ambitious projects. We hope to more than double our current audience and to bring evermore visitors to our city.

To do this we need all the help and support we can find – these honorary diplomas, which we accept on behalf of all the artists and all the audiences that have visited the festival over the last six years, are a form of support and we sincerely thank the City of Kuopio for honouring ANTI – Contemporary Art Festival today.

From Stavanger and London we send our wishes, our thanks and our gratitude.

Johanna Tuukkanen and Gregg Whelan

Olemme todella otettuja vastaanottaessamme tämän Kuopion kaupungin myöntämän kunniakirjan. Valitettavasti työskentelemme molemmat ulkomailla tällä hetkellä emmekä pääse osallistumaan tämänpäiväiseen huomionosoitusten jakotilaisuuteen. Olisimme mielellämme osallistuneet Teidän kaikkien kanssa jakotilaisuuteen tänään.

Kuuden vuoden aikana ANTI-festivaali on edesauttanut vahvistamaan Kuopion asemaa erinomaisena kulttuurikeskuksena. Eri puolilta maailmaa tulevat taiteilijat ja festivaaliyleisö ovat vierailleet kaupungissamme nauttien festivaalin ohjelmasta ja kaupungin vieraanvaraisuudesta. Kuopio tunnetaan maailmanlaajuisesti kaupunkina, joka ymmärtää nykytaiteen merkityksen ja tärkeyden, ja jo tämän vuoksi olemme ylpeitä toimiessamme tämän ainutlaatuisen festivaalin taiteellisina johtajina ainutlaatuisessa kaupungissa, joka on avosylin ottanut festivaalin vastaan.

Saadessamme tämän kunniakirjan haluaisimme katsoa ANTI-festivaalin tulevaisuuteen. Seuraavan kuuden vuoden aikana haluamme kehittää festivaalia, kasvattaa sen kymmenen päivän mittaiseksi ja sisällyttää ohjelmistoon yhä kunnianhimoisempia projekteja. Pyrimme kaksinkertaistamaan festivaalin yleisömäärän ja houkuttelemaan yhä enemmän vierailijoita Kuopioon.

Saavuttaaksemme tämän tarvitsemme kaiken saatavilla olevan avun ja tuen. Tämä kunniakirja, jonka otamme vastaan kaikkien taiteilijoiden ja yleisömme puolesta, sekä kaikki taiteilijat jotka ovat vierailleet festivaalillamme kuuden vuoden aikana, ovat osa tätä tukea. Kiitämme vilpittömästi Kuopion kaupunkia ANTI – Contemporary Art Festivalin kunnioittamisesta.

Lähetämme terveisemme, kiitoksemme ja kunnioituksemme Stavangerista ja Lontoosta.

Johanna Tuukkanen and Gregg Whelan

Notes on the first run through of soft skin / harsh life

It was 45 minutes long. That’s ok. A bit long though, but ok. Can tighten up. There’s a lot of text, too much?

It feels as if I’m talking all the time. While moving, then reading using the microphone, then moving and talking again, then reading with the microphone again. I like the repetition though, what comes up when you repeat, when you look at this moving and talking, sensual body with stretching skin, then just standing and talking to the microphone (Good guide for skincare, why not try these out). Putting on the high heels (guess they should be higher?), bringing the cosmetic in. Now I’ve just laid it all on the floor, I like that it’s a mess, all these expensive luxurious treasures.

Questions:
1. Should the promises text be spoken out while moving?
2. Should the cosmetics be used more directly?: “This is my two years of moisturizing and rejuvenation. This is what I have been promised. That’s what I want, yes, that’s what we all need and want and desire…Heaven.”

(I guess I could also bring the cosmetics I’m using now, not only the empty ones? Could I ?)

Ehkä voisin laittaa esille useampia rasvoja, kuin paletille ja sitten valita niistä mitä laitan mihinkin?

I have this movement section in which I’m posing. I’m imagining it at the moment in relation to the video but this is very unclear as the video is not finished. But there’s one section where I lay on the ground on my belly on the video and I’m imagining doing the same in the performance. How is it to watch an image of a body and to watch the real body, the one holding in the thick red liquids and jams? The bleeding body?

I like the last section with a bench. I don’t understand it though, not yet, but it’s also a connection to the group piece, and my intention is to kind of slide from the solo to the group piece. There’s something about when I’m lying on the bench wearing a skirt and high heels that reminds me of Marilyn Monroe. That hasn’t been my conscious intention but I don’t mind it.

I have to bring a video camera tomorrow.

Something about the mundane, everyday appearance and the sensual moving body, a big body, which is not so often seen.

I feel I’m getting somewhere. I’m definitely going to abandon some of the text I’ve used. I have also been in touch with a costume designer and we’ll meet in Helsinki after I come back from Norway. I’ve spoken to a new graphic designer and send him some material and I hope we could work in the new project together. Let’s se what he says. I don’t know if it’s going to be about the money.

J

Kootut askeleet: Johanna Tuukkanen

Keskiviikkona 7.11. klo 20.40, uusinta to 8.11. klo 16.40.

Kootut Askeleet on 15-osainen ohjelmasarja, joka esittelee suomalaisia eturivin nykytanssikoreografeja. Taiteilijahaastatteluissa pääosassa ovat tekijät ja teokset.

Sarjan jokaisessa jaksossa tutustutaan yhteen koreografiin, joka kertoo teoksensa taiteellisista lähtökohdista, valmistusprosessista sekä työskentelystä tanssijoiden ja muiden tanssiteoksen luomiseen osallistuvien taiteellisten yhteistyökumppaneiden kanssa.

Tässä jaksossa esitellään vuonna 1973 syntynyt tanssija, koreografi ja live-art -taiteilija Johanna Tuukkanen. Hänellä on BA -tutkinto Arnhemissa sijaitsevasta College for Arts, European Dance Development Centre -koulusta. Hän on toiminut ANTI – Contemporary Art Festivalin toisena taiteellisena johtajana vuodesta 2002 ja hänelle myönnettiin taiteen valtionpalkinto vuonna 2006.

Johanna Tuukkanen tunnetaan teoksistaan Lumoava horisontti (1999), Metamorphosis Perfervidus Osa 2: Body Freight (2001), Seinän takana (2004) sekä teossarjastaan Fyysillistaiteellisia tekoja 1-5.

Thinking

The children are in school and daycare, I didn’t need to rush anywhere this morning, it’s quiet and I have time to think. Isn’t that unusual?
I realize I’m left wondering about one article by Janne Saarakkala I read the other day on a bus. The article has appeared in a new Finnish magazine called Esitys (Performance) and it’s titled Ajattelemisen poliittisuudesta (’About the political nature of thinking’, my translation). It was really inspiring and reminded me how and maybe why thinking is not encourage in our society, how straining and difficult thinking is and how it takes time – which we don’t have. Or do we? Could we?
Anyway, as I’m sitting here, thank god away from Facebook, I cannot but enjoy the quietness, the space before going into the studio, a time that is not fulfilled by tasks I need to urgently complete. Just being here. I know there are million things I need to do and could be doing them as well, but there will be a time for those as well. They don’t need to be here and now. Is it possible to relax now and enjoy the moment, knowing that there are unfinished issues that need to be addressed? I believe so. And to celebrate this thought a little bit more, I’m going to take a walk in the woods now.

Hope you can take the time, too.

Johanna

Greetings from Norway!

Came back from Norway last night and was happy that all flights were on time and luggage wasn’t lost once. It’s the simple things you start to appreciate when you are away from home. My meetings in Helsinki went really well and were meaningful to me. Managed to see the new works of Eeva Muilu and Jyrki Karttunen in Helsinki and got so happy about them. To visit the Performance Festival in Hamar was also inspiring and of course it was great to see new works by many wonderful artists. I think my talk was ok as well. But nothing beats ANTI. It’s just so different to watch works in the same location and pretty much the same space, one after the other, than to actually explore various situations and ways of engaging with the work.

After flying to different city every day and too short nights, I had to dash into the office in the morning to send some documents to Brussels and to work on ANTI’s funding applications. I’m also working on my own applications and trying to find time to go to the studio as well. The work never ends. But so it seems to be with everyone whether you are from Helsinki, Malmö, Stavanger or Kuopio…

Thanks to Ingrid for inviting me to Hamar and thanks to Pilvi, Maija, Essi, Virve, Anne-Marte, Roi, Irma, Elin, Petter, Annika and everyone for a companionship.

Johanna

Busy days

I’m off to Helsinki tomorrow and to Hamar, Norway on Saturday. This week I’ve been working on the solo in the studio, having a luxurious time on my own, escaping the domestic issues. I have a lot of material and I’m still in the process of seeing into which direction it all is going to go… I’ve been also preparing my talk in Hamar, working on some grant applications and arranging meetings.
I’m so much looking forward to spending a day in Helsinki and the weekend seeing a lot of performances at Kunstbanken in Hamar. I’ll meet Anne-Marte from Stavanger in Hamar and Maija Hirvanen and Annika Tudeer, amongst others. Great! And tomorrow in Helsinki I’ll meet with Benoit from Brussels and Geir from Stavanger and I’ll stay with my producer Maija. I’m sure it will be a lot of work but also really good and inspiring. Today I got to know that I got a travel grant to visit Iceland next year and I’m so much looking forward to that as well!

Hopefully I’ll see you all in Hamar.

Johanna

I love…

the way my mind is working on the new solo piece. Spending last week in studio, I definitely got the process going. Next week is a school holiday here so the kids are at home and I don’t have studio time booked. But I’m thinking I might have sneak into studio as I have lots of things in mind I want to work with and try out. Exciting! I could work outside if only it wasn’t so cold.

On Friday I went to the strategy meeting of the regional dance centre, and to my shock, I was the ONLY one there! Well, I had a good conversation with Vilja and also Jari later on, so I didn’t mind. But still, I don’t understand how a total lack of dialogue is possible here. We’ll try to arrange another meeting soon, but it doesn’t really wipe away the experience of this one.

We have been working on panelling the house. Keeping in mind the height of the house, it’s going surprisingly well. It’s only the rain that was troubling us today and we couldn’t continue very long. Yesterday we finished the north wall, all the way up! Pekka was really high on the simple ladder, I tried to help the best I could. To avoid any form of mishaps in the future, I just saw a few top 10 best reviews for a good ladder, so that all the further work goes on smoothly with complete safety. ulkoverhousta102007_3low.jpg

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I still love the panel and it’s going to be so beautiful. The colour differences are due to the iron sulphite reacting (i.e. making the wood turn grey) to UV-rays and humidity/water. So the fresh panel is lighter because it’s been in a shed where it doesn’t get wet or too much sunlight. But it surprisingly quickly evens out, at least, let’s say in about a year.

Johanna

I didn’t…

have studio space today so worked at home. Office and book keeping stuff, not so exciting but good to do. I’ll go to studio tomorrow morning with all my stuff; it’s hilarious how much I have things to take to studio! Whether it’s milk cartons, clothes or like now, cosmetics, it feels I soon need a truck to move around. I’m working in this really beautiful studio that is located in a kind of service centre for elderly people. I feel quite comfortable and cosy in there in the midst of all the old people and grannies. It’s also funny how they every now and then pop into the studio and there am I, a ton of cosmetic boxes and packages around me, putting some aroma therapy oil on my skin…and they might say: Good day! Do you have children?
I should get going more actively with the ideas of sound, costume and images. But somehow I’m not ready yet.
The weather has now changed completely and it’s freezing. I’m so happy ANTI is not going on now. Today was so cold with an icy breeze but also incredibly beautiful and bright.
I met with Niila the other day and complained about the function of the arts council. He pretty much agreed to what I said but didn’t really give any hope that things would change, not with the current members anyway. But it was good to be talking and I guess sharing my concerns and thoughts.

Hope you are well,
Johanna

The latest column, in Finnish

Missä ovat kansainvälisesti menestyneet (itä)suomalaiset live art –tähdet?

Jo kuudennen kerran ANTI – Contemporary Art Festival toi Kuopioon viikonloppuna suuren joukon taiteilijoita, kuraattoreita, yleisöä ja asiantuntijoita eri puolilta Suomea, Eurooppaa, Yhdysvaltoja ja Australiaa. Minulle ANTI-festivaalin yleisö, suosio ja kansainvälinen tunnettuus on todistanut, että kokeellisille, innovatiivisille ja ei-niin-konventionaalisille taiteen muodoille on kysyntää, tarvetta ja tilausta. Olen vakuuttunut, että aivan liian usein turhaan pelätään, että kokeellisempi nykytaide ei kiinnostaisi tai vetäisi puoleensa laajaakin kansainvälistä yleisöä.
Kuuden vuoden aikana ANTI on tuonut Suomeen maailman merkittävimpiä live art –taiteilijoita, monet heistä ensimmäistä kertaa. ANTI toimii myös
yhä enenevässä määrin suomalaisen nykytaiteen vientitapahtumana ja useat
suomalaiset taiteilijat ovat saaneet merkittävää kansainvälistä huomiota festivaalin kautta. Yksi ANTI-festivaalin järjestämän seminaarin luennoitsijoista, amerikkalainen taidehistorian professori Jennie Klein nosti esille, että monet festivaalin taiteilijoista ovat sittemmin lyöneet itsensä läpi kansainvälisellä live art -taiteen kentällä ja ovat tänä päivänä todella menestyneitä. Mutta Klein huomautti, että sama ei ole tapahtunut suomalaisten taiteilijoiden kohdalla. Missä ovat suomalaiset maailmalla tunnetut live art –tähdet?
Onko Itä-Suomessa yhtäkään taide- ja kulttuurialan organisaatiota, joka työskentelisi pitkäjänteisesti alueellisten taiteilijoiden kansainvälisen toiminnan käynnistämisen tai edistämisen eteen? Mikä on taidetoimikuntien tai kaupunkien rooli taiteilijoiden kansainvälistymisessä? Paljon puhutaan kulttuuriviennistä, mutta Opetusministeriön kulttuurivientiyksikkö tuskin pystyy yksin vastaamaan koko suomalaisen taidekentän vientitarpeisiin ja –tavoitteisiin. Vientiyksiköt tietoni mukaan sijaitsevat pääkaupunkiseudulla enkä ole lainkaan vakuuttunut, että niillä on resursseja seurata aktiivisesti koko Suomen taidekenttää. Välittääkö kukaan oikeasti itäsuomalaisista taiteilijoista, heidän tulevaisuudestaan ja työnsä kehittymisestä? Pikku hiljaa on alettu tiedostamaan tapahtumien merkitys kaupungeille (mm. Kulttuuritapahtumat iskevät virtaa aluetalouksille, HS 31.7.2007), mutta tiedostetaanko taiteilijoiden?

Johanna Tuukkanen